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Daily Archives: February 24, 2012

The Summit’ offers Italian insights into Egypt’s revolution by Heba Afify

As the brutality of police and military forces against protesters has increased across the Arab World over the past year, it’s easy to forget that the region does not have a monopoly over this violence.

“The Summit,” an investigative documentary screened last week at the Berlin International Film Festival, reminds us that while the frequency of crackdowns varies in different parts of the world, when security forces decide to attack, they often do so with a similar level of brutality.

In the film, Italian journalists Franco Fracassi and Camillo De Marco dissect the brutal security crackdown against anti-globalization protests at the G8 summit in Gonoa, Italy in June 2001. The police attack left one dead and hundreds of protesters severely injured.

“The Summit” offers rare insight into a seemingly out-of-place human rights breach that has somehow failed to leave a mark on the global consciousness. Fracassi and De Marco succeed in fully reconstructing the incident, which took place over a decade ago, using firsthand accounts by protesters, chilling documentary footage, released police tapes and emergency calls from horrified eyewitnesses.

The filmmakers, along with an investigator, sifted through hours of documentary footage that show a very different narrative from the official one propagated by local police forces.

Still, some parts of the film are a bit cliché, seemingly influenced by mainstream detective shows. For example, one scene shows the detective-looking narrator sitting in an interrogation room, facing the camera with a raised eyebrow, questioning the “official” version of the story.

In an interview with Egypt Independent after the film screening in Berlin, Fracassi commented on some of the staggering similarities between the police tactics shown in the film and those used by police and military forces in Egypt. These similarities suggest that police forces in both countries were trained in the same place — the US — says Fracassi.

While the identity of the thugs who are believed to “infiltrate” or attack protesters in Egypt, often dubbed “the third party,” remains unknown, “The Summit” clearly identifies a vandalism group, called the Black Bloc, as Italy’s “third party.”

It seems that deploying violent groups to justify attacks on peaceful protesters is a standard tactic in the police manual.

Eyewitnesses in the film testify to seeing Black Bloc members — or “thugs” as they are often described in the Egyptian media — instigating violence, and then hiding behind the police lines as security forces attack peaceful protesters.

Especially resonant with the Egyptian experience are the tapes of emergency calls featured in the film, which reveal that operators responded to frantic callers reporting criminal acts by saying they have orders not to intervene.

Eyewitnesses in “The Summit” also discuss how deploying violent gangs during protests was meant to place the blame for violence and vandalism on protesters and turn the public against them. Revolutionaries in Egypt have been facing similar accusations throughout the past year.

In the testimonials shown in “The Summit,” people describe police brutality as animal-like, giving off a strong stench of testosterone and sweat — a description that could easily be used to describe the Egyptian military forces dragging female protesters by their hair and beating the bodies of dead protesters before throwing them on piles of garbage on street corners.

In Egypt, many activists subjected to torture and serious injury in clashes with security forces are back on the streets, protesting. The Gonoa attack, however, seems to have left much deeper scars on its victims, who were taken by surprise as they were used to police forces protecting protests, not attacking them.

Fracassi, who is both the director of “The Summit” and a subject in the film, as he was attacked by police in Genoa while working as a journalist, says that making the film was part of his healing process. Fracassi and other victims said that, a decade later, it was still difficult for them to watch the incident or read about it, and their voices shook up as they recounted their ordeals.

“The Summit” thoroughly investigates an incident that mirrors the periodic use of violence against protesters in Egypt, and possibly offers Egyptians clues to find the truth about the events of the past year.

©2012 Heba Afify

 
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Posted by on February 24, 2012 in Art as a matter of life

 

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Pablo Siquier

La producción artística de Pablo Siquier se divide en dos líneas creativas que en ciertos momentos han sabido converger. Por un lado, pinturas sobre tela tradicionales: superficies que requieren del espectador su capacidad de observación y lectura; y por otro, intervenciones en el espacio que lo comprometen en un tipo de percepción más física y ambiental. Es esta dimensión de su obra la que se despliega en esta exposición.

El recorrido abarca sus primeras instalaciones a fines de la década del ochenta y principios de los noventa: la realizada en el Instituto de Cooperación Iberoamericana en la muestra Inocentes Distractores, o en Centro Cultural Recoleta junto al Grupo de la X.
La muestra incluye una instalación de maderitas pintadas a mano con infinidad de puntitos que Siquier proyectó en esos años pero que nunca llegó a realizar y otra realizada en poliestireno expandido como las presentadas en la Galería Ruth Benzacar en el año 1995 y en el Centro de Arte Reina Sofía de Madrid años más tarde. Asimismo la sala será intervenida por una enorme instalación confeccionada en hierro trefilado.
La muestra contará con dos murales de gran tamaño, uno de los formatos que más ha desarrollado Siquier en estos años y en donde se unen sus dos líneas de trabajo. Uno en vinilo autoadhesivo de 590 x 1340 cm. y otro en carbón de 590 x 730 cm.

Murales e instalaciones
Sala Cronopios
Jueves 23 de Febrero al
domingo 4 de abril de 2012

 
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Posted by on February 24, 2012 in Vernissages

 

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Bruno Taut Un architecte à Berlin

Bruno Taut compte parmi les architectes les plus significatifs du Mouvement Moderne et est l’un des premiers membres du Deutschen Werkbund, l’Association Allemande des Artisans. A l’occasion du 125ème anniversaire de sa naissance, le Berliner Werkbund lui consacre une exposition présentée au Centre Méridional de l’Architecture et de la Ville (CMAV) par le CAUE 31, l’AERA et le Goethe-Institut de Toulouse.
Les cités résidentielles de Taut dans les années 20 à Berlin établissent de nouveaux critères architecturaux et urbains. Avec peu de moyens, le souci du détail et l’intégration des espaces extérieurs au logement, il a réformé les formes de l’habitat. La qualité de l’architecture de Bruno Taut ne réside donc pas seulement dans ses couleurs expressives qui sont devenues la marque de son oeuvre.
Cette exposition présente de manière systématique les lotissements et les ensembles résidentiels de Bruno Taut à Berlin et dans les environs. Pour chaque projet sera pris en considération sa phase de réalisation, ses modifications ultérieures et son état actuel.
Le curateur de cette exposition est l’architecte Winfried Brenne, qui a largement contribué à la redécouverte et à la conservation de l’héritage de Taut. L’analyse méticuleuse et le savoir artisanal réalisés ici, ainsi que les résultats de la réhabilitation ont valeur d’exemple pour les témoins architecturaux du XXème siècle, menacés en tant de lieux.

Le Berliner Werkbund s’est fait un devoir de redonner aux monuments du Mouvement Moderne la place qui leur est due dans la conscience collective, tout en les protégeant des menaces du présent et en intervenant prudemment sur ces ouvrages uniques. Les efforts pour inscrire quatre cités significatives de Bruno Taut au patrimoine mondiale de l’humanité sont fortement soutenus.
L’exposition rend hommage au «maître des bâtiments colorés», qui a profondément marqué l’architecture du XXème siècle et dont la contribution à une ville sociale est restée vivante jusqu’à nos jours.

Bruno Taut – Un architecte à Berlin 16 janvier – 7 avril 2012
Vernissage le 16 janvier 2012
Centre Méridional de l’Architecture et de la Ville 5, rue Saint Pantaléon
31000 Toulouse
Tel. 05 61 23 30 49
cmav@cmaville.org
Du lundi au samedi de 13h à 19h Métro Capitole
www.cmaville.org

 
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Posted by on February 24, 2012 in Vernissages

 

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